Felix Contreras

What are the holidays without Charlie Brown?

Nowadays, the quietly elegant and celebratory recordings by pianist Vince Guaraldi have become as much a part of the holidays as the sound of unwrapping presents. And every year we are treated to at least one interpretation of that classic Charlie Brown Christmas soundtrack by one of the pianists on NPR's A Jazz Piano Christmas. This year is no exception.

During one of my first visits to New York in the early '80s, I was invited to a "private party." I was told not tell anyone about it or even reveal where it would be. So — of course — I went, intrigued by the clandestine, members-only vibe.

It was held in a dinky basement somewhere on the Lower East Side, where some guy had set up his home stereo in a corner while drinks were sold in small plastic cups for five bucks (cash only). There was a killer mix of disco (the '80s, remember?) and tracks like Led Zepplin's "Kashmir."

The following is an Encore presentation of a program that originally aired on December 17, 2015.

Enjoy!

Holiday music is typically a love-it-or-hate-it sort of thing. I'm a fan — my favorite is Vince Guaraldi's A Charlie Brown Christmas — and I even I'll admit that musicians don't have many options for putting a new spin on holiday classics.

Then along came Gaby Moreno and her band.

For someone from my generation, which grew up with the sound, it is a complete joy to see younger artists embrace soul music in such creative ways. Equally thrilling is to witness the genre's influence in Latin America and how it has been interpreted by the region's vocalists, whose first language may not have been English.

Three years ago, I was putting together an episode of Alt.Latino that featured some of the contestants of the Tiny Desk Contest. When I clicked on the video for Bay Area vocalist Diana Gameros, I was immediately transfixed and life seemed to stop all around me.

The "Despacito" phenomenon continues with this morning's announcement of the 2018 Grammy nominations. However, while it was the original Luis Fonsi and Daddy Yankee version that won big at the Latin Grammys, it was the Justin Bieber remix that got nods this morning for record of the year, song of the year and best pop duo/group performance.

Editor's Note: Disney's Pixar has released the box office numbers from the first weekend of Coco's release. The word "dominates" was used in a story from The New York Times. Here is a detailed breakdown of those numbers from the industry website IMDb.

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