Lars Gotrich

In the noise-improv trio Borbetomagus, Jim Sauter hooks bells with Don Dietrich to obliterate any notion you have of the saxophone (sorry, birthday boy Adolphe Sax). In Oneida and Man Forever, Kid Millions is a psychedelic shaman of the drums. In "Game Jump," Sauter issues a brief warning that sounds something like a zombie-infested cruise ship bellowing its final notes before it plummets into a blood-freezing ocean. Then it's on.

"Born To Ruin" contains one more letter than Bruce Springsteen's ode to the "runaway American dream." Whether or not the pun is intentional, Damian Master has been steadily ratcheting up the drama in his own riffs, hooks and production over three years of cassette releases under various guises (This Station Of Life, Aksumite, All Wave, the list goes on). But his solo project, A Pregnant Light, continues to be unbound by the metal elsewhere in his catalog.

When listening to Crying's "War Of Attrition," you might think: Which solo came first, the Game Boy or the guitar? With Ryan Galloway's outrageous, Thin Lizzy-esque power-pop hooks going note-for-note with his own series of ecstatic 8-bit blips — not to mention Nick Corbo's muscular drumming — the New York trio has already leaped past the charming chiptune pop-punk of last year's excellent Get Olde, collected now on a double EP with six new tracks.

Pages