Stephen Thompson

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Holly Macve's voice seems to hover from era to era, coming to rest somewhere between the lonesome twang of Patsy Cline and the moodily modern slur of Lana Del Rey. Macve's songs lope and shimmer at a lazy pace, but they never lack drama, even as she holds herself motionless.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Before a month-and-change ago, Slowdive hadn't released an album in 22 years. So you'd be forgiven for watching the band perform "Sugar For The Pill" and struggling to pin down what era you're in — especially since NPR Music plopped the group in a playfully retro Brooklyn shuffleboard parlor for the occasion.

The Lone Bellow's earnest and magnetic folk-pop was built to shake the rafters: It's hooky and rousing and performed with absolute commitment. It has been since the beginning, from the band's charming, self-titled 2013 debut through the Aaron Dessner-produced Then Came The Morning two years later. And, if a new song called "Time's Always Leaving" is any indication, it'll carry on through the release of The Lone Bellow's third album, Walk Into A Storm.

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