NPR Music

In the 1970s and '80s, George Cables was the pianist of choice for saxophonists Dexter Gordon and Art Pepper; Pepper called him his favorite pianist.

This interview was originally broadcast on Feb. 28, 2000.

Follow NPR's All Songs Considered (@allsongs) this weekend for reports and photos from the 2012 Moogfest. Check NPR Music next week for concert recordings from the festival and explore our 2011 archive here.

Song Premiere: Pelt, 'Of Jack's Darbari'

Oct 26, 2012

I'm convinced that I will write about Jack Rose for the rest of my life. Truly, few things in music could make me happier. In his 38 years on earth, Rose ignited not only a small revolution in acoustic guitar, but also a holistic way of thinking about sound, and what it means to move forward with decades of tradition at your callused fingers.

I Know What You Did Last Measure

Oct 26, 2012

Got an idea for a classical cartoon, or a reaction to this one? Leave your thoughts in the comments section.

Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. You can see more of his work at Artworld Salon and on his own site.

Willie Nelson On Piano Jazz

Oct 26, 2012

Singer-songwriter Willie Nelson was born April 30, 1933, in the small farming community of Abbott, Texas. His early interest in music came about through singing in church, and he wrote his first song at age 7. By age 9, he'd begun playing in a local band; after high school, Nelson served briefly in the Air Force and studied at Baylor University. In the mid-'50s, he worked as a disc jockey in Texas and Washington state, played in honky-tonks and continued to write songs.

There comes a time in the life of most string quartets when, for better or worse, Beethoven must be confronted. For the acclaimed Belcea Quartet (named after its first violinist Corina Belcea), that time is now. The London-based group, founded at the Royal College of Music in 1994, is thoroughly steeped in Beethoven's 16 string quartets — pieces written throughout the early, middle and late stages of his career in an epic sweep of compositional mastery and imagination.

There's something strangely hypnotic and charming about "New Century," an immensely infectious bummer from Neighbors, which consists of a guy named Noah Stitelman and anyone else who happens to be around to help. For all of Stitelman's fretful miserablism — "I wanna lie down and hide in the dark 'til I don't have to figure it out," he sings early on — Neighbors' music is steeped in smoothly pleasing brightness. If anyone out there remembers the D.C.

Classical Crib Sheet: Top 5 Stories This Week

Oct 26, 2012

  • Uff da: Along with the Minnesota Orchestra, the St. Paul Chamber Orchestra has also locked out its musicians, leaving the Twin Cities bereft for now. "Players at the St. Paul Chamber Orchestra did not vote on an offer from management, and the board of directors shut the doors and canceled concerts through Nov. 4 ... So for the first time since the SPCO launched in 1959, neither orchestra will be playing for at least the next two weeks."

I just saw Red Baraat play their new song, Shruggy Ji, at a brand new club in Washington, D.C. I don't think the incessant go-go rhythm fell on any deaf ears here in the birthplace of go-go. It certainly didn't for me, just blocks away from the record store where I worked, and where we'd blast go-go bands like Trouble Funk and Chuck Brown, back in the late '70s. For the Brooklyn nine-piece, this sound isn't a sharp right turn. Their mix of music already goes from Indian bhangra, (itself a mix of Punjabi music and western music) to New Orleans big band music.

Twin Shadow On World Cafe

Oct 25, 2012

Few artists channel the spirit of '80s new wave as infectiously as George Lewis Jr., better known by the stage name Twin Shadow. Lewis wears his '80s pop influences on his sleeve throughout his recent second album, Confess: The sleek synth-pop vibe of "Five Seconds" recalls Duran Duran, while "Run My Heart" evokes Bruce Springsteen power ballads and Lewis' breathy, straightforward vocals convey the swagger of Prince. Lewis' R&B leanings help give Twin Shadow's sound its own distinct, surprisingly modern identity.